musical movement so stiff

1. The Bronx
2. Waxplotation Artists (recommended by adult swim)
3. Ima Robot
4. GCH (of course)
5. The Morning Of
6. The Falling
7. CRAFT Club
8. Hush Hush Commotion (more upbeat and musical)
9. Chromeo
10. The Thermals (more grunge-post areno rock)
11. Brooklynati (very well done but bitten)
12. WAZ (grey’s anatomy, nuff said)
13. Sam Sparro
14. The Mainland (snow patrol meets counting crows)
15. Diminishing Returns (if you like melacholic noise)

1. ODDISEE (authentica than a bih, yesuh but a little ‘03)
2. Count Your Blessings (just another new millenium punk band)
3. Otenki (“)
4. The Vegas Report (if you like band of horses)
5. William Fitzsimmons (if you like jason mraz meets acoustic allthetime)
6. 3OH!3 (the hellen keller thing wasn’t cool)
7. Arrica Rose (would sound better over a romantic denouement)
8. Colour Revolt (great, no question)
9. NEEDTOBREATHE (just got chills)
10. Fight Fair (boys like girls)
11. No Good People (another fuse recipient)
12. Crown City Rockers (ger-rate, just.. no intro please)
13. GOOT (so early november, and never attempt a john mayer cover)
14. Ben Lee (stay on vh1)
15. 2AM CLUB (i bet they look as good performing)

1. Kings of Leon (is this a discussion?)
2. Kanye West
3. Pillow Theory (if you like thoughtless screamo lyrics..)
4. Cassie Steele (i don’t believe it)
5. Nobody (always wanted to blog him but his music’s never up)
6. Ray Lamontagne
7. J*Davey (they practically made it)
8. Behn (really standard but mystic and good)
9. P.O.D. (sure..)
10. Fall Short (an old friend of mine, idevenk if they still play)
11. Sir Michael of the Rocks (cool kid)
12. HOOL (great folk, i’d dl)
13. George Tandy Jr. (another bet hit)
14. Daniel Strider (typical indie-pop)
15. Array (” but i actually like the riffs a little more)

1. Ricardo Malone (hardcore french melodrama)
2. Maveric (i hate when you all talk over the intro)
3. Jesse Passage (pop-folk needed in a cute sundane short)
4. Tepr (yesss)
5. Josh Netsky (poppy ballroom psychedelic.. he’s skrate)
6. Kelsey and the Chaos! (joan jett)
7. Hope (is awesome, introduced twice)
8. RJD2 (already know)
9. J Songz (grew up with this kid)
10. Releef (same as fall short)
11. DOOM (mf)
12. Wiz Khalifa (listen to take away)
13. The Boys After (on itunes nowww)
14. Awkward Silence (pearl jam meets wth is concrete)
15. YELLE

1. Lindsay Lohan
2. Sunday Night Scene (not tsh but he tries)
3. Amos Lee
4. Shino (yesuh)
5. Jose Gonzales
6. Sneakyness (from da ford so of course i gotta repsent)
7. Scott Joseph Phares
8. Amie Miriello (myspace celebrity)
9. Amel Larrieux
10. everett thomas (great voice, remember him)
11. freddy hernandez (great covers)
12. The Secret Handshake
13. Nice Guys Finish First (stay on staynow)
14. Guillermo Sohrya (youtube coverer, sweet ass voice)
15. Refrag (so much originality)

1. Samantha Ronson
2. SHINE (a softer stone temple pilots)
3. Owner
4. April Cover (pop-punk, eh..)
5. Michael Jackson (and all the hype)
6. Tyler is Tizz (pop-acoustic and all the whining, eh..)
7. Janelle Monae
8. French Cowboy (western touch but not western in what is necessary)
9. Obfusc (well done electro-indie)
10. Zewdy (she covers well)
11. Airto (he “)
12. J.Pinder (a rapper)
13. Oh, Hush! (only to shop to)
14. direct connect (idk)
15. Diddy

1. GMK (he’s cordial)
2. Potent Da RockStar (intense)
3. LiCKS the Super Producer (experimental hip hop)
4. SFH (hardcore rap producer)
5. Subliminal Camp (lyrical and progressive hip hop)
6. Brikkk the Super Natural (went to junior high with this kid)
7. Raphael Saadiq
8. Brandon Hines (make you wanna bite your lower lip)
9. Durand Bernarr
10. The Energy (sound stereotypical and a little placebo)
11. King ST (lmao)
12. Little Dragon
13. Ryan Sallis (electronic folk, vedie nicee)
14. Brenda Maclean (effortless but effective)
15. Bonehead Movement (great viben music and he deserves fame)

1. Cashmere (got to be g, support her on the serious)
2. Jonathan Blake (another sundance scene)
3. Vickey Vandetta (south florida parties to bop to)
4. Kill Heart Tactic (experimental and trippy rock)
5. Black Kids
6. California King (rougher black eyed peas type shit)
7. JQ (he’s a good sequel)
8. Julian Wright (he got nothin)
9. W.I.M. Records (great club music, reggae and rap)
10. The Sweet Hello (need not punk-sing but they are manlier than most)
11. James West (french techno)
12. Mr. Grind (stupid comedy)
13. sotirous (indie indeed and he won’t cut the bulletins down)
14. Blake Elizabeth (alanis morissette sounds better)
15. La Fouine (idk why i like awkward ass french rapping)

1. Ulrich Music Producer (typical rap beats probably made on garageband)
2. J Minus (another acoustic montage)
3. Abuz-Dirtybeatmaker (rap)
4. buckchild (frenetic rap, love it)
5. The Fashion (as seen on mtv once)
6. Scorblaz (now, he just sounds like he’s choking francais)
7. Jayne Doe (soft and cute over grudge but an exemplification of satire)
8. First Round Pick (just listen to him cos i always do)
9. Inglish (cool kid)
10. Tennille (cool kid)
11. DJ Lamont (florida rap)
12. Twinkie (da beatmaker, he throws parties, too)
13. Westland (love the contrast and his heart but why so pitched?)
14. Travisty TriPp (so pink floydd)
15. J Raw (he got nothin)

1. Fast Music by Deerfield Niggas (fla covers, or sped up, never sount so goo)
2. The Follow Through (such sweet acoustic punk)
3. tAzIs$oArnold! (accredited, cool rap)
4. David Jordan (seal)
5. No Name (he got nothin)
6. Joe.Branco (okay it’s just bass and funky drums)
7. Artificial Glitch (tsh, that doesnt sound familar!)
8. ONEoak (point-across rapper)
9. Places (sounds as good as little dragon)
10. CT (never ct, he wishes)
11. Represent (i should remove the repetition but the fan albums amuse me)
12. Alserene (metal alright and they nearly have their own template)
13. DJ Karizma (smooth hip hop but they talk too much)
14. FireFliers (expectant electronica)
15. C.S. (what a cute little boy)

1. Sierra Alpha (nice foreign disco pop)
2. Deficit (ambient experimental, highly recommended)
3. George Kirk (showtime-covered techno, nuff said)
4. Dade County Radio (self-explanatory)
5. Pluto Jenkins (poppy electronica with an attitude)
   
6. Brandon Black (pitchy american idol auditioner)
7. Hunter Langston (isn’t he on here?)
8. Tomorrow (new soul meets alternative but never badu)
9. H*Wood the Heart Throb (techno rapper)
10. Glass America (they got nothin)
11. The Day Of (sounds like the goo goo dolls)
12. Dan Talevski (he sounds nice.. good.. alright..)
13. DJ Mad (ecstacy techno)
14. Stuart Webb (asher roth)
15. Sidney (little girl tyna make it)
16. Showy Vega (fab techno)

1. Wisla (impressive and agressive french)
2. Premium (calm french hip hop)
3. The Title (electro pop so optimistic)
4. Asher Roth
5. Gigi Fouquet (upbeat pop-folk)
6. Retro Ignite (pop-rock s)
7. DJ Joker (good friend, support)
8. Good Old War (chipper folk)
9. I Got$ Ca$h Moneyz (hardcore-electronica)
10. The Fastest Kid Alive (pop-rock, you all just vary it up, dontchya)
11. The SEVENth (hip electronica)
12. Brad Doggett (does great acoustic covers of r&b)
13. Learn to Swim (pop-punk but at least they’re progressive)
14. Clarity (now FIND VIENNA and they’re pretty damn alright for soft rock)
15. Evinreud (poppish hardcore)

1. Jack Splash (funky and accomplished r&b)
2. Keysha Jordan (well, show us what ya got)
3. Psymun (hip hop yessir)
4. Killa Black (french hip-pop)
5. digital underground
6. AtomtA (grunge, noise, and early punk)
7. Nouveaux Son (slow french hip hop)
8. Scarlett Johansson & Pete Yorn
9. Bleszt (electro club hip hop)
10. Orchestra Green (pop punk but they sound different)
11. Earthtone (with brad dogget, acoustic rap, son)
12. Driven Records (pop-punk on the skirts on whinging screamo)
13. PT.V (urban request station)
14. B.B.G, BIGG HOMMIE UNK AKA RUGA REDD (love me some hardcore rap.. but this is a negative)
15. Young Merch (psychedelic hip hop)

1. Suave the Ape (original hip hop meets rap ohso niceee)
2. Soljah Entertainment (rap in its quintessence)
3. Fast Music by Alex (southern rap)
4. Justice (chill rapper who beats just right)
5. Deer Run Productionz (redo of numerous rap songs, catchy..)
6. Kristen Williams (female electro pop)
7. My Burgunfy Waltz (folk tunes)
8. BBNR! (hardcore hyphy meets pop-rock)
9. Blaspheme95sous (french)
10. Ameritz (got nothin)
11. Ching (typical rap)
12. Anorpha (they got nothin)
13. MoneyFirst (such gangstas, oo!)
14. Autumn (hardcore pop-punk, actually alright)
15. Doni Donzo (upbeat french rap)

1. The Whisper Effect (they look like douches and this gets annoying)
2. Needless to Say (just got off warped, julia’s voice is awesome)
3. Lonley London Lad (trippy ambient grunge)
4. Dru (brooklyn hip hop aspirer)
5. Official Rated-R Music (quiet rapper)
6. smirp (they got nothin)
7. Wilsonman (he tried on the autotoning.. tired, i like the storytelling doe)
8. EKlips (french rap so typical)
9. B@by Zoe (love ze southern rap)
10. Triple Zut (french hardcore rap and he speaks a bit of english, too!)
11. Papy-J (french rap better than the aforesaid)
12. Burn Down the Mission (r&b? great heart but pop.. boo)
    
13. G.Black (french gets tired)
14. Curusbrigan Te (francais francias)
    
15. Lady Tru from Got Bully? (cashmere’s group)
16. Got Bully? (i love cashmere)
17. The Spin Room (pop-punk, stop spreading my myspace)

Just To Let The Two Who Are Reading Know

I'm too far from the comfort of my bulky desktop as I am still in my hometown, curing my homesickness. For now I'll be posting something like twitter; following tumblr. Just listen to Little Dragon and feel well informed. Be alright.

Happy to Miriam. fifteen.

Ruckus

Video be so diesel.

tumble.

"jtrilla" (4:34:21 AM): like it couldnt be that bad where you live, & you not that much of a deviant

"jtrilla" (4:34:31 AM): go find a normal ass nigga

"jtrilla" (4:34:35 AM): lmao im so mean yo
souruss (4:36:11 AM): lmao

Labor Pains

How stunning for Lohan to donate her talented time and openness to financial success to a film that went straight to a limited television network. She might as well have been occupied for Lifetime. Of all places like IFC and HBO, ABC Family is veritably a modest choice of showbiz. I guess it makes her less of a Hollywood mandarin. We laud Lohan.

four sisters in the ct.

Doink.com

Visit for animating creations and expressive painted color. Just made mine. Not that difficult.

Stamford, Connecticut

is the city that works. Veritable. Quote that bih.

She's Not Fashion

Looking Out For

The absence of sugar is fine in cake and cereal. The only time it’s vital is in cream of wheat. Just lookin out for the health.

Joe Budden

The JumpOff never leaves me. I would have more to say but the photo says it all.

Tumbling

Tumblr has been discovered. It's nicely laid out but I’m sick of the replications. Myspace simplified into Facebook simplified into Twitter; perhaps Blogspot simplified into Tumblr simplified into Twitter. I confirm that twitter is at the bottom of the chain. Scores from now it’ll be able to podcast, though.

Follow me on srhje.tumblr.com

Michael, Farrah, and Ed

I figured Michael Jackson would have lived forever. And with all the strength Farrah Fawcett underwent, death was as unpredictable. Ed McMahon's decease, conflicting in addition, stirs a bereaving attitude in America as well. I always felt desolation occurred as a ricochet of sins.

I grew up on the king of popularity, watching my cousin dance to remixes of his and his sister's music. The Dream, Chris Brown, Justin Timberlake, and Usher shall carry his legacy on with their absorption, however. As for Farrah Fawcett, I've probably seen an episode of Charlie's Angels when I was too young to remember but I understand her actual character and have the same amount of depressed lament. perhaps McG can direct and complete a trilogy in memory of her. And I might not have been familiar with Ed Mcmahon outside his contribution to Britney Spear's fame, but his part in this celebrity recession is as mournful all the more. No time is ready enough.

Death is the typical reflection on the span of life; the duration should be of well conduct, for the self and the ricochet. Death was the wall to their strides, uncontrolled as their vectors and destinations aborted, anyway.

Victor Von Doom

About a year ago, I was dropping by the MySpace page of a friend of mine and included in his musical preferences were Murs, Uffie, Justice, and MF Doom. Inattentively, I listened to Murs and MF Doom since Justice and Uffie weren’t new to me. They were artists with a celebrity attitude and beats so played I wouldn’t believe they were still amazing. Metal Fingers Doom was my fate, though.

It wasn’t his lyrics, neither his cartoon. In fact, when I younger, I often rejected how meek its plot was. The show was a nuisance to midnight channel surfing. Meatwad was the only one with cartoon characterization but it was that repetitive imbalance in my remote. Now, when I’m in a cartoon-nostalgic state, however, I dawdle with the Force, ignoring the screenplay because it’s still annoying as hell. However, one Saturday, in a hip hop-appreciative mood, I put an instrumental playlist of MF Doom’s Special Herbs: The Box Set on and was fed by his riffs, his covers, his creativity. They were so animated. I understood why he chose to get into cartooning. If his publication boomed like the attitudes of Justice and Uffie, he would surely be a grace to hip hop. The Midas of early 2000 like T-Pain is today. Doomsday was my favorite since Sade is as well but the lyrics that followed her evoking tone were as mundane as his show. His bars truly distracted me from his brilliant underscores. He was probably real but he sounded stereotypical beneath his soundless air. I was as frustrated as watching Honey years later, all over again. Such a great surface with a misunderstood essence. Maybe I was bereft of what he was exuding.

One night, I spent three hours trying to download an instrumental that featured the voice, or a voice that came in extreme contact with Michael McDonald. His every renowned production, renowned in a smaller industry, leaked into my musical library and I was sold listening to Vomitspit. After discovering what MF Doom and MF Grimm and Dangerdoom, the endless producers to title, were advocating, young aspirers like Archie Coolbeans appealed to me with all the more hip hop appreciation. Both New York kindred have true ears for music. Archie, also known as my new favorite rapper, injected my library with Sofa King, Rhymes Like Dimes, and I Hear Voices. Although a section of his music remained trite, I grew to respect his epitome of hip hop.

He works in his head instead of toward the insightful feedback of listeners. His monotone directs a new sound wave of music. His most recent album isn’t conformed, and he’s still bland and important. His nonsense is fitting and lovely in all; his surface is worthy and so as his essence. He begins to lack a cliché theme.

I still want that MP3 of that one Michael McDonald song, too. With his bars.

CCF

On Friday I decided to pull two wasteful hours out of my exciting life to clean the room I share with my sister out. Not knowing where to start from the junk drawer to the junked closet to cluttered window sill we improvise items on, I turned the television on to Comedy Central where a movie called Senior Skip Day was airing. I took off on Tara Reid commenting how her little brother's allegedly delusional actions was "..so Ferris Bueller's day off." At that point I was sold because I assumed it was actually National Lampoon's Van Wilder Goes to College. It wasn't until the characters gathered into an introduction that I realized it was just as ridiculous.

I believe Gary Lundy had a Jewish accent and if he didn't, in fact, his role was drastically similar to that of Woody Allen's. Fortunately, he didn't source the film its credit so I merit him for not completely duplicating my favorite filmmaker's ways. Speaking to the audience is sketchy in all but at least Woody Allen, and only Allen, has license to that technique.

The characterization was awful and, although it's not necessary, it lacked imagery a great deal. I understand its genre and how the goal of the movie is typically overrated but a little effort to get through any given audience, like any filmmaker would consider, would have been nice. I laughed at the romance like it was satire. It probably was but if it wasn't I still laughed, at it not with it. Such stereotypical portrayal, and I'm not referring to the African-American family.

Aside from their constant asides, the comedy was like any other Comedy Central original. Destitude, predictable, but, above all, a good inside joke to fecklessly laugh at with a given group of friends who were fortunate enough to sustain with unfortunate piece. Not to mention Harry and Barry the Shithouse.